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Northern Montana’s Hi-Line by William Albert Allard

The earnest saga of farming and ranching in northern Montana began with a misconception that verged on a lie: free land, enough to feed your family! But the land wasn’t quite free, and it was far from enough.

Read the full story on National Geographic

View the full essay on William Albert Allard’s website

Press Release Archives


Emerging Photographers

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New Orleans by Streetlight by Frank Relle

A girl broke Frank Relle’s heart, but a city captured it. He was bouncing back from a soured romance his freshman year at Tulane, around the same time his best friend was hurt in a car accident. Together, they went on long walks in their corner of New Orleans. “We recovered from our respective illnesses walking around…

Independent Work

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The Color of Light by Arthur Meyerson

I never planned on becoming a photographer. But just like a great photo, it was a matter of coincidence… a combination of, “right time, right place”. I was lucky. For the past forty years, I’ve been a commercial photographer. Those assignments introduced me to people that I never thought I’d meet and gave me the […

Newspaper Work

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Veiled Truths by Hossein Fatemi (NY Times)

One day I was walking with a female friend in Tehran when she was pulled away by the police and held in one of their offices for a few hours. Her crime? She wasn’t wearing the proper hijab — the head scarf that, in some interpretations of Islam, women must wear whenever they are in the [...]…

Spotlight on Blogs

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Nice to Meet You – Portraits of Abandoned Dogs by Martin Usborne

By photographing emotionally troubled dogs suffering from abandonment and aggression, the artist Martin Usborne chronicles his own painful struggle with depression. His recent series “Nice to Meet You” tenderly traces unknowable canine narratives by carefully placing the animals behind surfaces and materials: a wet gl…

Magazine Work

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‘Mad Men’ Up Close: Photos From the Set of the Celebrated Show by Alex Majoli

Photographer Alex Majoli has for years worked in some of the world’s most unsettled regions, crafting powerful portraits of the lives of men, women and children in places like war-torn Afghanistan, post-genocide Rwanda, and the poverty-ravaged favelas of Rio. But Majoli recently turned his lens on a world unlike any …